Il lavoro dell'attore sul personaggio
Acquistalo
In Libreria
Sinossi
"Qui si va ben lontani da carismatiche 'teorie'! Qui si parla di lavoro quotidiano, di faticose scoperte giornaliere, di riflessioni strettamente collegate con la prassi del palcoscenico!" (Dalla Prefazione di Giorgio Strehler). Attore, regista e teorico dell'espressione scenica, Konstantin S. Stanislavskij (Mosca 1863-1938) fu costretto, durante la Rivoluzione d'Ottobre, a lasciare la Russia per una tournée in America dal 1922 al 1924. In realtà fu proprio questa fortunatissima tournée a far conoscere al mondo il suo 'metodo'.
- ISBN:
- Casa Editrice:
- Pagine: 324
- Data di uscita: 03-09-1993
Recensioni
There comes a point about halfway through "Building a Character" when Stanislavski's earnest young protagonist, Kostya, complains to his mentor, Torstov, that this batch of lessons all seem rather technical and not nearly as much fun as all the creativity and inspiration that was the foundation of t Leggi tutto
really insightful tools and analyzations of theatre. would recommend to people who really enjoy acting and the theatre.
I have to say that I really struggled with some parts of this book. Some chapters are really technical and very detailed and that is tiring after awhile. But you have to push through because it is totally worth it. The chapters in the end are very interesting and I couldn't put the book down! I woul Leggi tutto
I took around 6 months to complete this book,read it in bits and pieces,second book of Stanislavsky's "An actor Prepares" trilogy .I found this book very technical, many concepts related to speech,diction,Theater ethics I found very relatable but grasped few concepts like Tempo rhythms with a very p Leggi tutto
"La construcción del personaje" fue la obra póstuma de su célebre autor. Considerada la segunda parte de "Un actor se prepara", en este libro se analizan las técnicas necesarias para construir un personaje de manera creíble, natural y expresivo como marca el "sistema Stanislavski". Se trata de un ma Leggi tutto
El libro es muy pesado y la verdad es que me da la sensación que en las cosas más "sencillas" se explaya en demasía y deja la vitales un poco a la pata coja. Lo mejor del libro son sin duda los últimos capítulos, los más interesantes y ricos. Creo que es una lectura obligada para todo aquel que quie Leggi tutto
После этой книги женщины меня полюбили
This isn't as interesting as An Actor Prepares, there's a lot weirder stuff here that's harder to relate to. Like rhythm work with a metronome, different beats and how every play has an underlying beat and other beats layered on top of it and you can screw it up by not being on the right beat with y Leggi tutto
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