Sinossi
- ISBN:
- Casa Editrice:
- Pagine: 150
- Data di uscita: 01-03-1999
Recensioni
Alternately brilliant and boring. I think that Peter Brook is actually a profound man, but his writing on the theory of theatre gets tedious when he starts soliloquizing and forgets to include any means for the reader to put his abstractions into practice. At those times the book gets a self-infatua Leggi tutto
This was suggested reading for my acting class and I was told it would probably be too deep for our standards but I actually really enjoyed it and got a lot from it. I must read for any fellow drama nerd.
“Pole kahtlustki, et teater on väga eriline paik. Ta on nagu suurendusklaas ja ühtlasi nagu vähendav lääts.”
A brilliant book that peers deeply into the heart of modern theatre. It's somewhat less systematic than the subtitle, with its hint of a rigorous typology, might lead us to expect. More a string of reflections that gravitate towards three main themes: the Context of modern theatre (Deadly Theatre),
As a great director, Peter Brook is unquestionably an authority on theatre, but The Empty Space doesn’t reflect his artistic talent and comes across as an unsuccessful attempt at philosophy, full of platitudes and anecdotes which carry little theoretical value. Still, this book has merit as an inten Leggi tutto
I've only been trying to get around to reading this book for 7 or 8 years... Brook explores his experience of theatre, though is very specific to state that it is only his experience so far and that everything will change, as theatre is always changing. He breaks theatre down into 4 categories, Deadl Leggi tutto
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