La canoa di carta. Trattato di antropologia teatrale

Insight molto affascinante sulla "filosofia dell'attore" e sul lavoro minuzioso che questi deve compiere per instaurare una totale sovrapposizione tra mente e corpo, tra movimento e pensiero. Grazie Maestro. P.S. Trovatevi qualcuno che parli di voi come Barba con Stanislavskij

I have started working with a theater company in Sullivan County called the NACL Theatre, and they develop work inspired by Eugenio Barba's work. One of the Artistic Directors, Tannis Kowalchuk gave me the book to read in December, and it was a dense reading. It starts off pretty easy, but then it b Leggi tutto

Eugenio Barba writes more thoroughly on the techniques of theatre performance than any other director I know. His books are astonishingly detailed studies of the corporeal language of the performer, quoting lectures and books from masters of theatre that have never before been translated into Englis Leggi tutto

Got to read this text for my a class at the dance university. He has a great and personal opinion on what a performer has to look for after technique. Its a very relevant and difficult question to solve. Loved the text and helped me a lot for my creative processes.

Discovering this book was a godsend. After a year of academic boredom: endless research and exams, I discovered Eugenio Barba. The field is completely new: I had never read in the anthropology of theater, the man's life is fascinating, and his language is seriously poetic. I started translating the

Aún me cuestiono ciertas miradas coloniales que percibo en Barba pero no cuento con suficiente contexto como para tomar una postura.