Sinossi
Dialogo fra una realtà incompleta e l'immaginazione dello spettatore, le rovine hanno ispirato in ogni tempo l'arte pittorica e la letteratura. Per esplorare le molteplici declinazioni di un rapporto così fecondo, Woodward compie in queste pagine avvincenti un viaggio attraverso i millenni, dalla piana di Troia alle testimonianze dell'antica Roma, dai palazzi dei sultani a Zanzibar fino alle macerie di Londra dopo i bombardamenti aerei della Seconda guerra mondiale. Il suggestivo Grand Tour che l'autore ci propone non si limita ai luoghi, ma coinvolge anche le persone che questi luoghi hanno frequentato e amato: il giovane Byron nell'abbazia di Newstead in rovina, Flaubert nel suo viaggio tra le piramidi d'Egitto, Goethe e Henry James al Colosseo, Freud a Pompei. Il rapporto con le rovine illumina alcuni passaggi chiave della storia della letteratura: il Prometeo liberato di Shelley fu scritto per la maggior parte davanti alle Terme di Caracalla, Il Gattopardo è legato indissolubilmente al Palazzo Lampedusa di Palermo, così come i giardini di Ninfa ispirarono a Bassani quelli dei suoi Finzi-Contini.
- ISBN: 8860883563
- Casa Editrice: Guanda
- Pagine: 256
- Data di uscita: 20-03-2008
Recensioni
This book offers a captivating exploration of historical ruins throughout the ages, presenting a distinctive perspective for those seeking a fresh outlook. Honestly speaking, were it not for my thesis, I may not have opted to read this book; nevertheless, I am grateful that even that led me to read
I have read some pretty snippy and negative reviews about this book and I disagree with all criticisms because I have been fascinated by ruins, whether those of ancient times or fake 'ruins', since I was a little boy and even more so by the age of 13 when I read Rose Macauley's 'The Pleasure of Ruin Leggi tutto
A callow monograph that fails to deliver on its driving ambition. Preoccupied perhaps with dispersing personal details, including photos of his wife, the author makes an interesting case and walks away in almost half sentence. What we have is a nice collage of images and citations: a Sebald without
The author of this gem possesses a great combination--he has impressive scholarly qualifications (he is a museum director in England), and he is also a gifted writer. He gently leads us through the world of the appreciation of the utter beauty and inspiration of the ruins of Europe. You'll learn so
poetic, and intellectually delightful. nonfiction unlike anything I have read in a long while, the kind that makes you realize you had suppressed a wondering curiosity, a reader's hunger you didn't know you had. not just about history, or architecture, or memory, it's much more about dreams and fant Leggi tutto
The goal of this book, to survey various literary and artistic reactions to both the idea and reality of (mostly ancient) ruins, is an admirable one. It's also an ambitious one, and just as ruins themselves frequently demonstrate, between the idea and the reality falls the shadow. Woodward does not
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