Aspetti del romanzo
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In Aspetti del romanzo, pubblicato per la prima volta nel 1927, Forster affronta, non da dotto ma da «uomo del mestiere», i problemi e gli strumenti dell’arte del narrare. Così, le categorie che propone al lettore sono a un tempo semplici e fondamentali, non mediate da alcuna impalcatura accademica e insieme sommamente precise: «storia», «persone», «intreccio», «fantasia», «profezia», «modello e ritmo». Racconto critico, scrittura e chiarezza concettuale sono le caratteristiche di questo libro, divenuto ormai un classico esempio di saggistica d’autore, più importante e illuminante delle migliaia di pagine dedicate alla «scrittura creativa». «Sincerità e grazia di Forster», scrive Giuseppe Pontiggia nella prefazione. «Dono di uno stile che emula la poesia con cui si misura.»
- ISBN: 8811144892
- Casa Editrice: Garzanti
- Pagine: 167
- Data di uscita: 18-02-2016
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They said to me "Do you do Twitter?" I said no, I have Goodreads. They said "What about Facebook?" I said no, I have Goodreads - this is funny, someone said it should be called Bookface. They didn't get that. They said "Do you have a blog?" I said well, no, I do Goodreads. They looked at each other, and th Leggi tutto
Towards a Poetics of The Novel Here is a nice pseudo-scholarly jaunt through what 'aspects' go towards the creation of the Novel-form. Forster isolates a few of these aspects and discusses them, but the the 'rhythm' of the lectures, to use his own terminology, is one of insufficiency. It is as if
"No English Novelist is as great as Tolstoy" ...as if I couldn't love E.M. Forster even more!!! That fact that one of my favorite authors (Forster) has also read and loved the same books as I have just makes my heart sing! Going into this book, I thought it was going to be a type of "guide to writing Leggi tutto
Loved it to bits... Not necessarily for what he says or thinks or concludes (when he does so, which isn't often, since he's always undercutting and sabotaging any hint of a clear "theoretical" position, in favour of a certain not always certain eclecticism), but for how he thinks and especially how
فورستر به‌طور خاص درباره رمان و این قالب خاص صحبت نمی‌کنه. بیش‌تر داره تعدادی از رمان‌ها رو براساس چند ویژگی که خودش درنظر گرفته بررسی می‌کنه. چیزهایی می‌شه ازش گرفت اما اندک. Leggi tutto
As much as I absolutely love some of Forster’s novels, there was something about this book which failed to reach me entirely. In about half of it, he was lucid and original, using text examples that I knew, and lifting their meanings to new heights; introducing his famous ‘flat’ and ‘round’ characte Leggi tutto
لا يوجد روائي إنجليزي في عظمة تولستوي استطاع ان يعطي تلك الصورة الكاملة عن حياة الإنسان في منزله وفي بطولته. كما أنه لا يوجد روائي إنجليزي استشف روح الإنسان بذلك العمق الذي استشفها به دستوفسكي. ولا يوجد روائي في اي مكان نجح في تحليل الوعي الحديث كما نجح مارسيل بروست. إننا يجب ان نصمت امام تلك الإ Leggi tutto
Not exactly a how-to guide or a critique, Forster very basically explains different aspects of the novel through a series of lectures he gave in the late 1920s. A lot of the books that he refers to I’ve never read and probably never will (Les Faux Monnayeurs, not so much interested in), but he usual Leggi tutto
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