

Sinossi
Consacrato a Leibniz, ma dedicato a investigare i più diversi aspetti della cultura barocca, dall'estetica alla metafisica, dal costume alla pittura, questo libro cerca di definire, attraverso la metafora della "piega", il costituirsi dell'anima e dell'esperienza moderna. La piega ha sempre caratterizzato l'arte, ma caratteristico del Barocco è replicarla all'infinito. Se la filosofia di Leibniz è filosofia barocca per eccellenza è perché in essa tutto si spiega, si dispiega, si ripiega. Per scoprire l'essenza del neobarocco moderno Deleuze segue la storia della piega infinita in tutte le manifestazioni artistiche: nella poesia di Mallarmé, nel romanzo di Proust, nell'opera di Michaux, nella pittura di Hantaï.
- ISBN:
- Casa Editrice:
- Pagine: 228
- Data di uscita: 27-01-2004
Recensioni
Henri Bergson is as widely unknown today as Gottfried Leibniz which is unfortunate since most people are familiar with Bergson’s concepts such as lived time , elan vital and creative evolution . Leibniz’s contributions today are widely known but the great thinker who created them is often obfuscated b Leggi tutto
So exquisite I want to weep and scream for joy at the same time.
In this difficult book, Gilles Deleuze takes the figure of Leibniz as a starting point to reach a determinate position of differentiation. Another way to say this is that Deleuze abstracts/extracts conceptions of change and inflection from infinitesimal nuances. Building upon the figure of the monad Leggi tutto
Franz Rosenzweig, the Jewish philosopher and theologian, attended renowned Neo-Kantian philosopher Hermann Cohen's lectures for the first time in 1914. Rosenzweig wasn't expecting much -- Neo-Kantianism, for those who are blissfully, rightfully unaware, is God's cruel joke on the history of continen Leggi tutto
This is the product of Deleuze's final seminar (held at Vincennes-St. Denis) in 1986-87, but also of years of study of and reflection on Leibniz. The translation has some issues, but the difficulty is not entirely due to the translation: Deleuze's method is to take the voluble and expansive lectures Leggi tutto
Firstly, I must admit my rather inadequate knowledge of Leibniz stems from the lack of his works that I have yet read. That being said, Deleuze, as always, masterfully enacts the concerted play of the other's thought, differentiating it in order to open it up to alternate lines of flight for further Leggi tutto
Everything … are the folded things! There is no form, no content, no container, but only folds! Gilles Deleuze enthusiastically defends for the art of folding inspired of Baroque. This is a world of folding, in which time and space are generated by folding, expanding and refolding. He proposed that Leggi tutto
two floors, fold 'em up, see what happens when organic/inorganic, indogenous/exogenous, private/public stop being polite and start getting real
Citazioni
Al momento non ci sono citazioni, inserisci tu la prima!