In occasione della prima retrospettiva delle sue opere, Elaine Risley torna nella sua città, Toronto. Se n’era andata molti anni prima, per lasciarsi alle spalle i fantasmi della gioventù. Ora, mentre valuta con occhio critico i cambiamenti nella città, Elaine ritrova se stessa bambina. Momenti e atmosfere riaffiorano con chiarezza: una famiglia felice e anticonformista, che però non l’aveva salvata dall’inferno di crudeltà e ricatti orchestrato da Cordelia, amica e aguzzina. L’unico alleato di Elaine era un occhio di gatto, una biglia dura, fredda, forte, come lei avrebbe voluto diventare.
In un sovrapporsi di passato e presente che attraversa quattro decenni, Elaine esplora le radici della sua personalità adulta, smuove gli strati sommersi della propria coscienza, riconsidera le vie di fuga che la vita le ha offerto.
Un romanzo intenso e ironico, in cui ritroviamo la perfezione della scrittura, la trama inappuntabile e il realismo delle ambientazioni che sono le altre facce del genio della Atwood.
- ISBN: 8850256809
- Casa Editrice: TEA
- Pagine: 464
i know for a fact that books were written and published after this one, but i can't for the life of me understand why. come to my blog!
"This is the middle of my life, I think of it as a place, like the middle of a river, the middle of a bridge, halfway across, halfway over. I'm supposed to have accumulated things by now: possessions, responsibilities, achievements, experience and wisdom. I'm supposed to be a person of substance."
I look at the progression of 5-star ratings by friends - mostly women - and wonder if it is a womanly weakness to rate a book 5 stars which deconstructs the world from the female perspective? Is this visceral urge something to be ashamed of, something you must suppress to show due deference to 'stan Leggi tutto
“I began then to think of time as having a shape, something you could see, like a series of liquid transparencies, one laid on top of another. You don’t look back along time but down through it, like water. Sometimes this comes to the surface, sometimes that, sometimes nothing. Nothing goes away.” I Leggi tutto
“Love blurs your vision; but after it recedes, you can see more clearly than ever. It's like the tide going out, revealing whatever's been thrown away and sunk: broken bottles, old gloves, rusting pop cans, nibbled fishbodies, bones. This is the kind of thing you see if you sit in the darkness with Leggi tutto
One of Atwood's more famous works of fiction, Cat's Eye is at once a meditation on the sorrows and comforts accompanying age as well as a coming-of-age story about a tumultuous and abusive bond between two young girls. The novel juxtaposes past and present against each other, via twin narratives abo Leggi tutto
"Katzenauge" is one of the many novels of the well-known Canadian author Margaret Atwood. It is the story of two women and their friendship; a friendship that became hostility - a story about childhood, about growing up. The style of writing is gripping, almost enthralling, so that the reader feels so Leggi tutto
What it's about "We are survivors of each other. We have been shark to one another, but also lifeboat. That counts for something." The power of abusive friendships and relationships is the theme of this book, though not all the relationships are tainted, so it's not depressing and at times it's quite Leggi tutto
Pity-wanting Pain Reading Cat's Eye is like watching a film, only with smells, and taste, and touch in addition to cinematic sight and sound. Its heroine, Elaine, has all these 'outward wits' which Atwood captures magnificently. But, although Elaine is an artist, she has almost nothing of the 'inward Leggi tutto
As a relative latecomer to the works of Margaret Atwood (this was my fourth book in) – she continues to impress and engage immensely. ‘Cat’s Eye’ has, like ‘The Blind Assassin’ (which it predates by around a decade) memory and memories as its central narrative device. Both novels have a central prota Leggi tutto
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